Wednesday, 19 October 2016

Alexander Whitley Workshop - 19th september 2016

As part of my course at uni we are visited by various practitioners and artists in the first couple of weeks. this allows us to look and understand how they work and practice, learn a little bit about their style and the projects/ performances they are working on!

The first of our visiting artists was Alexander Whitley, a London based choreographer who has created work with Rambert, Ballet Boys and the Royal Ballet. Establishing is own company (Alexander Whitley dance company) in 2014 he aims to develop 'a creative environment that attracts and nurtures enquiring people'  creating work that provokes thoughts and emotions.



His latest piece pattern recognition works with multimedia and film. Working with beams of light that the dancers interact with, the lights being projected are pre-filmed which means the dancers must have brilliant timing and spacing to match up with what is being projected on the stage. the idea behind the light is that the light is a sensor to the various points on the body, much like on an Xbox connect, the lights are a rough guide to the different parts of someone's body, this is where the idea stimulated from and give the performance an extra layer. Use of media/lighting and other constituent features helps to add another dimension to a performance when used effectively (of which whitley does), it can enhance the audience understanding of the message/idea you're putting across.


Talking to alexander whitley we know that many of the movements are initiated by the use of the spine and this was something that he looked at and choreographed from, its interesting as looking at the performance (or the clip) you wouldn't necessarily know that this was a starting point when he was creating because he's used the spine in different ways and explored different ways of using it.

View clip here: https://www.youtube.com/watch?v=zY4GvnDpMaE


 For the workshop we started with some warm ups of ballet and contemporary technique, focusing largely on warming up the spine.
in the workshop we were taught a 1 min- 2 min phrase from pattern recognition, the movement was very athletic and contemporary, it demanded a large amount of technique and flexibility. Majority of the movements are initiated by the back and use of the spine, demanding good core strength to balance, pull up from the floor and give momentum to spin. I really enjoyed the workshop and the t routine, to me it had a really nice flow and smoothness to it, with built complexity through layering different choreographic principles such as dynamics, directions, travel and gestures. Prolonged pauses and use of extension through the body and particularly the spine made it seem elegant, showing Whitley's background in ballet and development into contemporary.


I found that certain movements due to layering were hard to pick up straight off but were a lot less complex once broken down.  this was something that i found Whitley did very well, he broke down the choreography  in a way that we all  understood and was happy to go through with us. I personally really enjoyed the workshop and the routine due it being in a ballet/contemporary style, which is enjoyable and familiar to me.


Unfortunately i was unable to see the show, however I'll be looking out for more of his work in the near future!
Many thanks to Alexander Whitley for a brilliant workshop!

Reference: http://www.alexanderwhitley.com/#home

Emma Louise xx


Monday, 10 October 2016

Youtube channel

https://www.youtube.com/channel/UCLU-rzF4wclz-R2D8ojbX3g

-please visit my YouTube channel above, hopefully more videos to come soon-

Dying of devotion to your art


  ‘what more poetic fait could await anyone: the artist dying of excess devotion to art?’ - Deborah Jowitt
Reference: Deborah Jowitt-In pursuit of sylph: ballet in the romantic period, referenced in the Routledge dance studies reader by Alexander Carter

Tuesday, 13 September 2016

Update

So unfortunatly I've been abandoning my blog for most of the year. I've been writing a tone of review and not finishing them, hopefully my earlier post explains most of it except for the last 3 months of summer!

The dance show and the musical both went really well im proud of all my cc dancers (and actors) for that. I wrapped up my final year at college well! In a nutshell college has boosted my confidence and developed me as a dancer no end!

As for the cc dance school show that went amazing to, i love working on a big theatre stage even if i perform once my stage makeups defiantly got alot better!

Over the summer I've done some zumba classes, burn 360 and zumba toning, I've spent alot of my holiday swimming in the sea and in the pool so hopefully... *drum roll please* ill be toned up for my next adventure.... Uni!!!

Yes i have committed myself to 3yrs of dance, and a lifetime of student debt! Im hoping itll help develop my knowledge and understanding of those who came before me, as well as developing my skills (and learning new ones) while giving me a gateway to gain contacts and paths into the industry.
As for the future of this blog i want to try and  finish and post the reviews sitting in my drafts, and bring a more relaxed vibe of my day to day life of dance

Thanks small family,
Emma Louise xx

Monday, 11 April 2016

Where have i been? (Written before the summer :/)

So unfortunatly I haven't had a chance to update my blog in a very long time, I have a tone of posts and reviwws qued up to finish so they are on they're way!

Recently I've been doing a lot for my dance I've still been going out and watching the live streams and recordings of the Bolshoi ballets works including the Taming of the Shrew, Sparticus and very recently Don Quixote. Which have all been very different and unique to watch as they don't fit the exact ballet stereotype set by the media, they're sharper and creative in their movemnt material than the media displays.

I've also been preparing for several shows with my college dance group and ballet group. So unfortunatly I feel my blog has had to take a back seat due to that.
In two weeks time I'll be going on a primary school tour with my college dance group, doing 7-8 performances over the two weeks and then finishing up with are annual dance show dynamix.   Our show normally has a theme and this year its "the history of cinema " so all the dances look at different films from Disney, to musicals, to old fashioned movies,  to how a film is made and hits Hollywood.  Let's just say there's blue body paint, bowler hats and flares although not all on stage at once.
I've got to admit I honestly can't wait I love the adrenaline of performing to audiences of all kinds.
I then have to think about the musical, thankfully I won't be doing any solo singing, however I do get the opportunity to do solo pointe which is going to be fun, let hope my little training can pull it off!

Then lastly I get to wrap up my show real in june with the ballet shoe, i shall channel my inner raindrop! 😂

So as you can tell a busy time of year atm. To whoever may be reading this thanks for listening to me ramble on! I shall try and produce y most recent review of don Quixote asap

Emma Louise

Friday, 29 January 2016

Dance goals 2016

1) To be able to hold all ballet foot positions on point with out the aid of something to hold on to
 
 
2) To work on developing an over split, so that I can achieve full split when leaping in the air
 
 
 
3) Improve and further develop my confidence in my own capabilities and solo performance
 
 
 
 
 
4) Work on focus, making sure my head is up and not looking at the floor. Also direct eye contact with audience members
 

 
 
 
 
5) To participate in at least 5 different workshops
 
 
 
6) To start my own dance you tube channel
 
 
 
 

Wednesday, 23 December 2015

The Nutcracker - Live streamed, Bolshoi Ballet Review

One of the most well-known and loved ballets to this day. Set during Christmas time to tell us what "love to all" really means.

This is by no means the first time I've seen this ballet, in fact Its the one I know the best, some people may say its overrated others adore the well known classic. I'm a mix of both, I love the fantasy world we're put into, I also love the artistry and use of props in the movement. So in many ways I was really excited to watch it again my only worry was that I recognise the choreography and am so familiar with the story that it loses the magic.
As expected the cinema was completely full for the live-stream I think that just goes to show how popular the ballet is, every other live-stream/film I had to been to see on my season ticket the cinema/theatre was always half empty.
 
 
One of the main difference in this performance for me was the fact that the Nutcracker in its doll form was played by a young female instead of being an actual doll. im used to seeing Marie (or "Clara" as she is know traditionally in the German version of the story) dancing with a nutcracker doll. The dancer was incredibly good at playing this part,  unlike traditional forms of ballet the dancers movements were stiff and angular to fit the characteristics of a wooden doll, which contrasts from the floaty elegant movements we assosciate with ballet! However, not only was the Nutcracker played by a female in the opening section but so were Marie's brother and all of the other male cousins, this could have been because of a shortage of male dancers within the company to distribute all the roles too, particularly in the Nutcracker you'll notice there are an equal/larger ratio of male characters to females, such as; the Mouse King, the Mice, The Toy Soldiers, Uncle Drosselmeyer and The Nutcracker himself.
 
 
The first part stayed quite traditionally to the story and scripting, however, the secound part wasn't as clear as it used to be for me, the stage was quite minimalistic in terms of scenery and props, with only a pile of snow with a tree/mountain backdrop at the very centre back of the stage, this can be effective at not taking any of the attention away from the dancers and the movements, however, personally I would have liked to have seen more of a set change for he land of sweets, where we get the dance of the sugar plum fairy and the different cultural dances, I feel that this would have enhanced the performance but also helped us to differentiate between the winter wonderland and the land of sweets as opposed to them being merged together, but that is a matter of opinion and taste. The Bolshoi ballet is a world renowned ballet company that is known for its outstanding technique and performance from its dancers so its understandable that they would not like to take the attention away from that!
What I will say is I did enjoy the dance of the snow fairy's which showed grate technique and poise with a large use of spatial patterns and design which added to the effect and enticement of the dance making it seem more complex and keeping everyone in the cinema transfixed, they did use the snowy mountain prop near the end of the routine with the addition of The Nutcracker and Marie it really gave the effect that they had gone into a new and exciting world which really "The Nutcracker" is supposed to do. 

I also enjoyed the different cultural dances that had been mixed with ballet each one was suppoused to represent a different type of sweet. They represented India, China, Spain, Russia and either Danish or French. The movements represented many stereotypes of each country some more quirky than others! I felt all the duets showed skill and confidence in each and every movement, my favourite duet was defiantly the Indian styled dancing, I this may be because I've just finish studying kathak dancing in one of my recent dance units, so seeing them include and combine movements from ballet and kathak really intrigued me and could have  given me inspiration for my own ballet-kathak fusion piece.
 
 
I had never noticed that the Nutcracker and Marie actually get married in this imaginary land, I know in spin-off film version they did but I had never been aware of it happening when I watched the ballet, so definitely watching it when im a little older does mean I pick up on a lot more of the detail and may suggested to me that I don't remember the story as well as I thought I had!
 
 
Overall I enjoyed the performance the dancing itself was brilliant and reasonably modern, however, I did feel some of the magic was gone for me maybe partly as I already new the story so it wasn't new material, but also because of maybe the lack of scenery in the second section. I didn't feel as enthused as I did when I saw their live-stream of Giselle earlier in the season. No matter how much I may critically comment on the piece it will still remain a gem of my childhood, and the really beauty of any performance that I will go to see now is that I will pick out some true highlights for me and other parts that I may feel less enthused by, but either way I still love watching a performance that has been really worked for and with the Bolshoi ballet you will know and can always see how hard each and every dancer has worked!
 
Emma Louise xx